Unit 1：Popular Noises 1
Text Ⅰ What Is This"Black"in Black Popular Culture? 3
Text Ⅱ From John Farmhand to Lordi:the Noise of Music 21
Unit 2：The Political Economy of Music 33
Text Ⅲ The Music Industry and Rap：between the Street and the Executive Suite 35
Text Ⅳ Digitalisation,Music and Copyright 49
Unit 3：Technology 69
Text Ⅴ The MP3 as Cultural Artifact 71
Text Ⅵ No Dead Air!The iPod and the Culture of Mobile Listening 83
Unit 4：Musical Creativity,Authorship and Musicianship 93
Text Ⅶ Music,Culture,and Creativity 95
Text Ⅷ From Craft to Corporate Interfacing:Rock Musicianship in the Age of Music Television and Computer-Programmed Music 108
Unit 5：Musical Forms,Styles and Genres 129
Text Ⅸ Popular Music Analysis:Ten Apothegms and Four Instances 131
Text Ⅹ From"My Blue Heaven"to"Race with the Devil":Echo,Reverb and(Dis)Ordered Space in Early Popular Music Recording 144
Unit 6：Visualizing Music 163
Text Ⅺ Panel Discussion on Film Sound/Film Music 165
Text Ⅻ The Aesthetics of Music Video:an Analysis of Madonna's "Cherish" 184
Unit 7：Subjectivities,Bodies ＆ Identities:Youth 201
Text ⅩⅢ Researching Youth Culture and Popular Music:a Methodological Critique 203
Text ⅩⅣ Just a Girl?Rock Music,Feminism,and the Cultural Construction of Female Youth 213
Unit 8：Subjectivities,Bodies ＆ Identities:Gender and Sexuality 229
Text ⅩⅤ Turn the Beat Around:Richard Dyer's"In Defenee of Disco"Revisited 231
Text ⅩⅥ What's That Smell?Queer Temporalities and Subcultural Lives 239
Unit 9：Subjectivities,Bodies ＆ Identities:Race and Ethnicity 251
Text ⅩⅦ Music and the Global Order 253
Text ⅩⅧ From Bombay to Bollywood:Tracking Cinematic and Music Tours 265
Unit 10：Spaces,Flows and Subjectivities 281
Text ⅩⅨ Dancing between Islands:Hip Hop and the Samoan Diaspora 283
Text ⅩⅩ Would You Like Some World Music with Your Latte?Starbucks, Putumayo,and Distributed Tourism 293
Glossary 305