Introduction 1
Chapter One To the Lighthouse:The Marriage of Fact and Fictionality 15
Ⅰ．Lily Briscoe and the Ramsays as the Marriage Outcome 18
Ⅱ．The Marriage of Factual Absence and Fictional Presence 28
Ⅲ．The Marriage of Life and Art 37
Chapter Two The Waves:The Dissociation of Fact and Fictionality 44
Ⅰ．Protagonists in Dissociation from Their Factual Counterparts 47
Ⅱ．The Dissociation of Poetic Fiction and Narrative Fiction 57
Ⅲ．The Dissociation of the Actual World and the Fictional World 65
Chapter Three Orlando:A Biography:The Mixture of Fact and Fictionality 72
Ⅰ．Orlando as a Mixture of Vita Sackville-West and Virginia Woolf 75
Ⅱ．The Mixture of Biography and Fiction 87
Ⅲ．The Fusion of Truth and the Work of Art 96
Chapter Four Roger Fry:A Biography:The Tension between Fact and Fictionality 103
Ⅰ．Subject Roger Fry as a Compromise of Tension 106
Ⅱ．The Ethical Tension of Life Writing 110
Ⅲ．The Inescapable Tension Between Reality and Fictional Freedom 117
Conclusion 132
Works Cited 141
后续研究 146
虚构与实在：伍尔夫的小说哲学研究 146
小说范畴的历史性：弗吉尼亚·伍尔夫的“现代小说”概念 150
经验的最小化：弗吉尼亚·伍尔夫的“原子”概念 161
经验的时间性：弗吉尼亚·伍尔夫的“重要的瞬间”概念 174
弗吉尼亚·伍尔夫的“记忆”概念与感觉材料的实在性 186
视觉的小说化：弗吉尼亚·伍尔夫的“视见”概念 201