从意识洪流到艺术灵动 福克纳的斯诺普斯三部曲研究PDF电子书下载

前言 1

Chapter Ⅰ Introduction 1

1.1 A Critical Review of the Snopes Trilogy 7

1.2 A Theoretical Overview of Deconstruction 15

1.3 The Popic and Task of the Dissertation 20

Chapter Ⅱ TheHamlet:Signification in Motion 23

2.1 Signification in Motion:Saussure Deconstructed 24

2.2 Intrasemiotic Motion:Différance in The Hamlet 27

2.3 Intersemiotic Motion:Supplement in The Hamlet 49

2.4 Transsemiotic Motion:Rhetoricity in The Hamlet 67

Chapter Ⅲ The Town:Text in Dissemination 75

3.1 Dissemination and Text 77

3.2 Intertextual Dissemination:The Town and its Yoknapatawpha sisters 82

3.3 Intratextual Dissemination in The Town 105

3.4 Extratextual Dissemination:The Town and Its Allusions 114

Chapter Ⅳ TheMansion:Existence After Subversion 127

4.1 Existence in a Subverted World 128

4.2 Mink's Subversion of"the Old Moster”and"them-they-it" 132

4.3 Linda's Subversion of Her Generalissimos 143

4.4 Flem's Subversion of His Own Existence 163

Chapter Ⅴ Conclusion 177

Bibliography 189

Acknowledgements 202

Appendix Ⅰ The Family Genealogy of the Snopeses 204

Appendix Ⅱ Faulkner Research in China:Retrospects and Prospects 205

Appendix Ⅲ The Sound and the Fury:Three Selves and Four Orders 225

Appendix Ⅳ Structural Aesthetics of the Stream-of-Consciousness Fiction:A Case Study on"The Mark on the Wall" 238

Appendix Ⅴ A Corpus-Based Research on Faulkner's Works 252