中国当代电影中的纪实主义PDF电子书下载

Chapter One Introduction 1

1．New Chinese Film:The Inadequacy of Labels in Describing the New Film Practices in China 4

2．Mapping Contemporary Chinese Film 21

3．Discursive Parameters 47

Chapter Two Identifying Docu-realism in Terms of History,Philosophy and Aesthetics 76

1．Historically:Inside and Outside China 76

2．Philosophically:The Redemption of Physical Reality 91

3．Aesthetic Principles 111

Chapter Three Zhang Yuan:A Breakthrough in Presenting Reality—Escape from the Encirclement of Melo-realism 141

1．Zhang Yuan and New Approaches to Reality 144

2．Sons·Cinéma-vérité·Cinema-direct 154

3．Seventeen Years and the New Documentary Movement 162

Chapter Four Jia Zhangke:Distinguishing Nostalgia from the Fifth Generation's Exoticism 174

1．Xiaowu:The Common Man's Consciousness and the Popular Perspective 176

2．Platform:Loose Narration and De-dramatization 190

3．Unknown Pleasure:Redemption of Real Life Through Sound 203

Chapter Five Wang Xiaoshuai,Wang Chao,Lu Xuechang,Zhang Ming:Constructing Docu-realist Aesthetics in Film Construction 218

1．Shot·Deep focus·Mise-en-scène 221

2．Colour·Light·Physical Reality 229

3．Editing·Montage·Long-take 240

Conclusion 250

Appendix Main Docu-realist Film Directors and Their Works 254

Bibliography 257

Glossary 284