当代美国戏剧的多样性 语言视角PDF电子书下载

Introduction 1

Chapter One Language and Power in the Plays of David Mamet 36

Ⅰ.Speaking， Manipulating， and Selling in Business—Glengarry Glen Ross 40

Ⅱ.Language， Power， and Understanding in Academia—Oleanna 68

Chapter Two Language and Self in the Plays of Marsha Norman 98

Ⅰ.The Impossibility of Getting Out in Silence—Getting Out 101

Ⅱ.A Silent Woman Getting Out—’night， Mother 142

Chapter Three Language and Ethnic Identity in the Plays of Frank Chin 170

Ⅰ.The Revolt and Disillusionment of a Linguistic Orphan—The Chickencoop Chinaman 172

Ⅱ.The Predicament of a Loud-mouthed Chinese American Son—The Year of the Dragon 197

Conclusion 230

Works Cited 235

后记 254