主体性的生成与危机 现代中国文学生产的文化政治PDF电子书下载

Introduction 1

Part Ⅰ．Realism Unbounded 25

Chapter One A Homeless Soul and a Misplaced Nostalgia Exiled Experience and Xiao Hong's Diasporic Literature 27

Chapter Two From Feminist to Party Intellectual?Identity Politics and Ding Ling's"New Women Stories" 61

Part Ⅱ．Romanticism,Modernism,or Modern Literati's Novel? 85

Chapter Three An Alienated Mind Dreaming for Integration:Constrained Cosmopolitanism in Wumingshi's "Modern Literati Novel" 87

Chapter Four Illusionary Cosmopolitanism and Flawed Humanity:A New Interpretation of Xu Xu's"Modern Tales of the Strange" 114

Part Ⅲ．Cross-Cultural Transaction in"Boudoir Stories" 135

Chapter Five Eileen Chang's Cross-Cultural Writing and Rewriting in Love in a Fallen City 137

Chapter Six Matrimonial Complex and Identity Anxiety:Eileen Chang's"Boudoir Stories"and the(Irn)Possibility of Modern Chinese Bourgeoisie 164

Part Ⅳ．Narrative Strategy under Middle-Class Consciousness 191

Chapter Seven Double Pitfalls for Chinese"New Women":Mei Niang's Fictional Narrative of the Colonial Society 193

Chapter Eight Making a Historical Fable:The Narrative Strategy of Lust,Caution and Its Social Repercussions 222

Part Ⅴ．Peasants'Habitus and"National Form" 249

Chapter Nine "Problem Stories as Part of the National Form:"Rural Society in Transition and Zhao Shuli's Peasant Stories 251

Chapter Ten From"Use of Old Forms"to"Establishment of a National Form":A Re-Evaluation of Mao's Agenda of Forging a Cultural-Political Nation 282

Conclusion 307

Some Thoughts on the Origin of Modern Chinese Literature 307

References 347