1．Ibsen：A Contemporay Bangladeshi Playwright&Ahmed Ahsanuzzaman 5
2．Ibsen'S Compass：Points of Dread and Desire&Anne-Charlotte Hanes Harvey 14
3．On Peer Gynt：A Critical Review of the Annual Peer Gynt Performance in Golaa,Gudbrandsdalen&Astrid S？ther 29
4．Norwegian Superman—or...?What to think as a Norwegian when Ibsen has gone global,with John Gabriel Borkman as example&Benedikte Berntzen 45
5．A Doll's House and Kramer vs.Kramer：Objections to Family Law&Bjarne Markussen 52
6．Some Observations on Ibsen's The Wild Duck&Charles Kalish 62
7．Treading on New Ground：African Adaptations of“A Doll's House“&Cheela F K Chilala 68
8．From Self-lost to Self-realization Ibsen's Nora and Chinese Women's Quest for Modern&Aimin Chen 81
9．Multi-receptions of Ibsenism in China：From Misinterpretation to Innovation&Liang Chen 93
10．Interculturalism in Theatre and the Chinese Performances of Ibsen&Chengzhou He 103
11．Translating Ibsen in 2009：An Apology of Literality&Cristina Gómez Baggethun 119
12．Discord and Harmony between Human and Nature：An Ecological Interpretation of The Lady from the Sea&Danni Dai 124
13．The Role of Women in the Reception of Ibsen in Finland in the 1880s and 1890s&H.K.Riikonen 135
14．Intercultural Implications of A Doll's House：Experiences with a Production of Ibsen's Play in Mozambique&Helge Rфnning 143
15．Two Dissenting Voices：Harold Pinter's Mountain Language and Henrik Ibsen's A Doll's House&Ibrahim Yerebakan 152
16．Ibsen's“Master Builder“：A Church,a House,a Castle in the Air&Janet Roberts 160
17．The Crisis in the Self and the Self in Times of Crisis&Jasminka Markovska 176
18．The Theme of“Discussion“：Ibsen,Shaw and Ding Xilin Compared&Jian Sun 192
19．Mapping Et dukkehjem&Julie Holledge 199
20．I bsen and Rabindranath—Meeting Points&Kazal Krishna Banerjee 213
21．Peer Gynt's Boundary-crossings：The Global Map of His Empirical and Mental Journeys&Knut Brynhildsvoll 225
22．Beyond the Tarantella：Re-visualizing Pain and Pleasure in Henrik Ibsen's A Doll's House&Lau Leung Che,Miriam 233
23．The Interaction of Texts and Performances of Ibsen's Plays—Ibsen in the Drama Teaching in Shanghai Theatre Academy&Minghou Liu 246
24．Ibsen in the Globalized Society：Multiculturalism—or the Lack thereof—in Norwegian Ibsen Performance&Lixian Cheng 252
25．Reception of Ibsen in Latvia during the Soviet Occupation（1940-1991）&Maija Burima 260
26．Post-perestroyka Receptions in Staging Ibsen&Margarita Odesskaya 274
27．Playbird or Featherbrain?&May-Brit Akerholt 283
28．Translating Insen's Byggmester Solness into Russian&Olga D.Drobot 290
29．Singularly Bound：Henrik Ibsen and Theatrical Survival&Olivia Gunn 295
30．The Lady from the Sea：Emergence From Marine Unconscious to Awakened Living&Rakesh Mohan Sharma 305
31．Ibsen's Enigma Variations：Re-imagining Intercultural Performance Research&Rustom Bharucha 322
32．The Use of Gun and the Myth of Freedom&Sabiha Huq 338
33．“Political Orgies“：Ibsen's Plays and Contemporary Bangladesh&Shafi Ahrned 345
34．Nora in A Doll's House and Bangladesh Perspective&Shah Mohammad Sanaul karim 361
35．Verfremdungseffekt in Mabou Mines Dollhouse&Susan Mason 370
36．The Making of a World Dramatist：Ibsen and Det Norske Theater&Tanya Thresher 376
37．Ibsen in Bengal（eastern India）：Negotiating Difference Contemporary Bengali Representations of When We Dead Awaken and The Wild Duck&Tapati Gupta 385
38．Ibsen's Use of Holy Days：An Amalgam of Philosophy,Poetry and Religion&Trausti ？lafsson 392
39．Ibsen in Nigerian Theatre：Dramatic Arts Department,Obafemi Awolowo Ile-Ife,Osun State as a Case Study&Tunde Bakare 406
40．Globalizing Nora and Torvald：OyamO's A Selfish Sacrifice—in China?&Victor Castellani 434
41．Ibsen and Usigli：Two Creators of a National Theater&Víctor Grovas Hajj 449
42．Rethinking Ibsen's Multiple Influences on Modern Chinese Drama&Yuli Wang 457
43．A Doll's House on Chinese Stage&Lanlan Xie 466
44．Feminist Awakening and Self-definition—A Comparative Study of Female Characters in A Doll's House and Jin Ping Mei&Rulan Ye 480
45．Toward a Rediscovery of Ibsen's National Historical Plays in China&Xujia Zhou 487